Song of the Andoumboulou: 363
Nathaniel Mackey
I looked up at Brother B and Sister C on their
heavenly couch, bodily remit all the more
insistent in my hospital bed, a bed of bones
un-
dulating at will. It was only all there was,
what there was. Brother B and Sister C added
up to Ruth one saw, Ruth among the loved
ones
of the stolen, the contingency of it the equa-
tion we all were in . . . Ruth was mother, the
day the day we were born on. Adding a one
every
year was getting old, as were we, albeit we
said the new number and sang it and celebra-
ted. Ruth was as much mother as muse, caught
be-
tween she and she’d, would-be she, caught
between she’d and shed, Beth but for that… Shed
adopted a jazz way of looking, Miles’s mute
Moorish and all of what Sonny said a breath to be
caught.
I lay a part of it, apart from it, multiply dis-
persed. I lay multiply discomforted, multiply
consoled, multiply unpersuaded we’d abide.
We
were hearing the long song’s cap on longing
when it occurred to us, polis’s perplexity sex
or sex-polis, bodily presence’s own kept mind…
My bed was my boat, wave and particle both, a
part
and apart. My bed was my boat, let lie and lif-
ted, low heist I lay caught up in. My bed was Osi-
ris’s boat but not, I knew, Brother B and Sister C’s
heavenly couch the kite I flew. I stood up in bed,
rock-
ing the boat. It was a drag to be back but I took
it in stride, true Ruthian saunter, a step she taught me
one night. She’d was our futurity, shed, bed I stood
up
in to fly my kite… A three-dimensional cartouche
the kite containing Sister and Brother, a three-
dimensional cartouche containing the sum Ruth was
or
she would be, she’d, shed, my bed my boat our sunk-
en raft up from Down-the-Hill, the we we were
a-
gain
•
We had wound our way up and around the
sides of Pill Hill, high as a kite, a roundedness
heaven’s lathe had cut. A Chinese boxkite it
was
or once was, the roundedness cut by heaven
pre-cut, collapsed and compact, a flat pre-
paredness anterior to itself… There was no way
of
knowing, a cast of the net not collecting. We
lay rocked in the littlest bed I knew. That the
bed was my boat was my only hope it seemed
at
points and at others no notion at all, hospital-
head’s roust or recoil… Wound and ascesis. Re-
call. Cartouche. Tidalectic out-and-back-in. On
their
heavenly couch Brother B lamented a certain
someone he could see but not have, Sister
C a certain someone too, rubbed up on each oth-
er’s itchy skin all there was to know. From an
apart-
ment tangential to the hospital one saw there
was a hill Pill Hill itself stood on and always
a certain someone put one there, the dispensary
one’s whole head was… Much had been made
of
particle and wave and much more would be
made. Bumped and abraded pill, bumped and
abraded particle, bumped and abraded pill and
par-
ticle dust. A powder so fine it had the feel of
oil gris-gris’d it all, to such length my mother
at the foot of the bed spoke of Jeruth, her friend
when
I was young and her country way of saying
Ruth I thought, thinking I was so smart. But
the universe’s dilated eye looked in thru the op-
posite end of a telescope, my Socratic mother at
the
foot of the bed asking why was I there. The
Hills of Jeruth lay behind her streaked with rain,
topos’s domain, a double task or a double take
hos-
pital head and heart flew by mounted by, topos’s
horse’s ghost… The Hills of Jeruth smelled of
my mother’s friend’s perfume when I was young,
nev-
er more stout than when the weather turned hot
and she’d visit, bloom the rain was feeding
I knew. “The Hills of Jeruth,” I lay whispering, a
recum-
bency topos led, relaxing, an adjacency to wax-
ing and rot. So did I rest assured an ontic hinter-
land lay somewhere. It was what it was we were
convinced, Brother B, Sister C and me, a kind of
ad-
jacency likelihood-as-not grew suspended in.
It was what it was and what it wasn’t grew as well,
a negative Jeruthian field athwart the positive,
all
we knew could go wrong… The Hills of Je-
ruth made for a lead-out everted upward,
topos and logos’s match and the heaven it afford-
ed, heaven had no other way. Why I was there
there
was no other way I could answer, hospital
head or headedness, everyone knew, having its
own
account
____________________
I vowed no fossil script would witness me,
what steals away exactly steals away I
said. The bed that was my boat sat atop Pill
Hill,
Noah’s ark atop Mount Ararat. My boat
bobbed in the troublesome air. My legs
and my feet were bags of sand… I was
miss-
ing my lost body, logos and topos’s
match made in heaven, the rollaway kite
we flew… My room stood penthouse
high.
Lawn mowers, helicopters and grass-
hoppers could be heard. Kite tails
flapped in the wind. All of it only to say
there
were levels to it, degrees and the ani-
madversion of degrees and levels, putative
ami-
ty, cave and col-
lapse
•
I lay for days on Pill Hill in Ruth’s care,
the Hills of Jeruth slightly beyond and be-
low, psychogeographic horizon, heaven’s
hope.
Heaven’s hasp, for all we knew, was
all we knew, to know we knew not given.
There was talk of low blood, talk of de-
hydration, kidneys, potassium too high, too
low…
I was Brother B’s variant, Anuncio’s
understudy, love’s orphan. I lay left alone.
Except it all flew south Ruth’s way did
not
hold. Low Forest foliage went on unim-
peded, prophetic albeit blasé the matte un-
dersides of so many leaves, the Hills of Je-
ruth’s alibi. I was thinking about equations, I
lay
thinking about transpositions… It wasn’t
only that though, maybe not mainly that,
Rome’s fiddling Nub’s new and old gospel,
body
be not but politic, sick as it was. A talisman-
ic music suffusing skin or the thought of
skin, hospital head reared and rebuffed. None
of
it all there
was
____________________
Churchical body, bodily church. Thick
walls padded with music. The Hills of
Jeruth had to do with it as well, logos
and
topos nowhere else as well met, now
that I was Hospital Head… I was
thinking I was already dead, missed
and
lamented but done with, no escort’s
arm supported mine. I was wondering
did I know and what there was to know, my
twenty-year state of siege, my medical
saga,
signifying what… Now that I was Hos-
pital Head, my head was one monistic
e-
qual
sign
____________________
None of it null, none of it enough. Nothing
enough, nothing all of it. The much-ob-
structed it of it the law it turned out, except
Ruth’s
braided hair at bedtime broke it, the am-
pleness of Ruth if nothing else… I sat up
thinking about equations. I was thinking
a-
bout transpositions. I was thinking about
what Will would’ve called necessitous in-
sufficiency, I and I’s autistic deck… I sat
up
thinking about transpositions. I sat up
thinking I’d seen the light. I was think-
ing I was already dead, the equilibrium
noth-
ingness
was
Born in Miami, Florida, in 1947, a Californian most of his life, and a resident of Durham, North Carolina, since 2010, Nathaniel Mackey is a poet, fiction writer, essayist and editor. He has published numerous books and chapbooks of poetry, most recently Birds Anonymous (Verge, 2023) and Double Trio (New Directions, 2021), a boxed set of three books: Tej Bet, So’s Notice and Nerve Church. He recently received the Nicolás Cristobál Guillén Batista Lifetime Achievement Award from the Caribbean Philosophical Association.